1. Prelude

2. Overture

3. Song Of The Keepers

4. Whipping On

5. The Linnett

6. I Really Do Love A Waltz

7. I Must Lie Down

8. Gluttony Considered

9. Clive Smythe

10. The Critic Critiqued

11. I Get Younger

12. The Parchment Grows Thin

13. Auldie Riggs

14. Auldie Riggs' Dance

15. Mr. Riggs Appreciated

16. Her Eyes not Mine

17. From The Inside Out

18. Breaking Down The Walls

19. Will You Wash Away The Blood

20. My Dave

21. The Gangster’s Moll

22. Run Judas Run

23. It Came With A Whisper

24. I Want The World

25. She Had It All

26. Bosom Of The Lord

27. A Hot Place For Hypocrites

28. One More Breath

29. The Keeper Regrets And Reflects

30. Whipping Off

 

 

Cabaret of Souls
a Folk Oratorio
By Richard Thompson

 

This piece began life as a commission for the International Society of Bassists to write something featuring the double bass. I managed to forget that they asked for a running time of 6 minutes! Being a songwriter, the beast naturally enough, grew into a song cycle, and then into something with elements of theater, which is how it is now presented, not quite a song cycle, an opera, a musical, a musical play or a bass concerto. A folk oratorio? A folkatorio? Perhaps better left unlabelled. -RT

 

WELCOME TO THE UNDERWORLD - GRAB A MICROPHONE

The audience seems to have passed from life into death, and find themselves at a reception for the freshly deceased. The Keeper of the Underworld likes to welcome the new intake with some entertainment, so he drags reluctant souls out of the darkness to sing. After each song the Keeper and his assistants sing their own short song of contempt for human foibles. As the humans yearn for the sweetness of life, the jaded Keepers contemplate torture as a better way of passing eternity. 

THE SCENE

The scene is the Underworld: a drab, cold, colorless place where souls gather, waiting out eternity. The Underworld is run by The Keeper, a jaded and rather cruel administrator, and his mischievous and cynical assistants, Grympale and Malpensio. The audience has slipped from life into death; and seem to be the Underworld's fresh intake of souls.

 

A MESSAGE FROM THE KEEPER OF THE UNDERWORLD

Greetings Mortals! So subtle is the transition from life into death that you may still be dreaming that life goes on - but I must sadly inform you that you are dead, and have crossed over into the Underworld. Welcome to our reception area. To get you all relaxed, we like to start with a little entertainment, and we'll be asking - well, insisting - that some of our residents provide some musical diversion. My assistants, Grympale and Malpensio, and myself may even chip in with a few musical observations!! After the music, we'll divide you into groups for Afterlife Orientation, and then you'll move on to Secondary Interrogation and - well - Eternity! Relax, enjoy. - The Keeper

Beeswing Records 2012: US BSWCD001, UK BSW13

current status: Release Date October 10, 2012

 

All words and music by Richard Thompson

Produced by Richard Thompson and Simon Tassano

Published by Beeswing Music (BMI)

Administered by BUG Music Inc., a BMG ChrysalisCompany

 

MUSICIANS

Richard Thompson – Vocal, Guitar

Harry Shearer – Vocal, Narration

Judith Owen – Vocalist

David Piltch – Double Bass

Debra Dobkin – Vocal, Percussion

Pete Zorn – Vocal, Flute, Saxophone

Idyllwild Arts Academy Orchestra Conducted by Peter Askim

Violin I – Dorisiya Yosifova/Concertmistress, Kristina Zlatareva, Min Yeong Kim

Violin II – Xia Fan Liu/Principal, Fu-Yen Chi, Carmen Aug

Viola – Rayna Chou/Principal, Joyce Huang, Howard Cheng

Cello – Monica Yang, X-O Liu, Tiffany Christensen

 

CREDITS

Edited, Mixed, & Compiled by Simon Tassano at Rumiville Studio, Austin, TX

Recorded at Bruce Ryan Soundstage at Idyllwild Arts Academy Idyllwild, CA by Matthew Neth

Assistant Engineer – Jason Cropper

Additional Recording – Trellis Sound, Pacific Palisades, CA, Trellis Sound East, London,

and The Rhythm Ranch, Studio City, CA.

Musical Director – Peter Askim

Management: Vector Management/Ken Levitan

Photos – Annaliese Moyer/Stage Right Photo

Cover Art and CD Design – Debra Dobkin

 

SPECIAL THANKS

Danny Thompson, Madeleine Crouch, Nancy Covey, Debra Green, Sam Epstein, Ann Closs-Farley, Haylee McFarland, Glendale Costumes, Ryan Zwahlen, Isaac Webb and the Idyllwild Arts Academy Motion Pictures Department, Idyllwild Arts Academy Music Department, Michael Ritchie, Susan Grode, Anne Devlin, Bobby Eichorn, Edmond Deraedt, Tuce Yasik, Bill and Laurie Benenson, Ed Haber, Erik Nelson, David Sefton, David Hirshland, Tim Bernett, Elixir Strings, G7 Capos and Lowden Guitars. 

 

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MEET THE CD CAST: 'CABARET OF SOULS'

 

READ RT's POST-PERFORMANCE CoS 1010 INTERVIEW

 

SEE 2010 PERFORMANCE PHOTOS AT ROYCE HALL, L.A.

 

READ THE ROYCE HALL L.A. 2010 PERFORMANCE REVIEWS

 

CABARET OF SOULS ROYCE HALL PROGRAM.pdf

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RICHARD THOMPSON'S 2010 'CABARET OF SOULS' at LONDON'S MELTDOWN

READ THE MELTDOWN 2010 PERFORMANCE REVIEWS

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'CABARET OF SOULS' PREMIERE

AT THE INTERNATIONAL SOCIETY OF BASSISTS 2009

SEE CoS VIDEO CLIPS

MORE CoS VIDEO CLIPS

ISB PROGRAM AND REVIEWS

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'CABARET OF SOULS' HISTORY

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